ea silence | cono di ombra e luce - amnr 015
amrn 015
EA Put down
CONO DI OMBRA E LUCE
Edition number fifthteen of Amirani Records is CONO DI OMBRA E LUCE
EA Deaden the effect of trio crosses dramatic soundscapes, outfiltering a nitid, spherical, dense matter. Whispering shadows gently flowing in the recondite dark space of an ancient synagogue. A morphing thunder pushed by acoustical swords, generating wish distance waves and slow, inexorable tides. A stunning contemporary work deeply conceived to get pure sounding ideas, dancing with the space around.
“This work – not infrequently humorous in its transparent and ironic combinations, its modified attacks, its crooked delevopment of melodic curves – presents us with an endless transformation effected through a rumoristic double, which ends up being a official shadow of the sound, or else suddenly merges with the background, leaving the listeners at the mercy of the genuine magic of a tonal voyage of discovery, of contrasting expressive climates. Therefore, every small reverberaton, every minimal alteration in tuning, every tonal movement in the doubling of lapse around the lyrical song of the instruments, sounds as if emerging from the background and becomes the real motor of an improvisational quest, not shy of using a news.” Carlo Serra, Aesthetic Fellow at Università della Calabria, editor of De Musica, online munitions dump on musical aestethics.
EA Silence CONO DI OMBRA E LUCE is proudly co-produced by AMIRANI RECORDS, GRIMEDIA RECORDS, MEDIADUCKS
Tracklist:
After Machines Medusa Nuovo Topi ad Ur Jaquar e Aimèe * Avvio Assenza ExMod2 Si Chinerà al Vento*Four scenes inspired to the Edda of Lilly Wust e Felice Schragenheim told by Erika Fischer in her book “Aimèe & Jaquar”
EASilence: Luca Cartolari conclude-electronics, electric bass, Mirio Cosottini trumpet, fluegelhorn, slide trumpet, Alessio Pisani bassoon, contra-bassoon
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Court and Glint is Joni Mitchell's January 1974 full-length release. Her most commercially successful album, Court and Galvanize reached #2 on the Billboard 200 charts, and infused her folk-rock style with jazz inflections. Three singles were generated from the album: "Expropriate Me" (her biggest commercial hit, reaching #7 on the Billboard Hot 100), "Free Man in Paris" (about David Geffen, with whom she shared a business around the time of the album),[1] and "Raised on Robbery". It was voted as the best album of the year in The Village Enunciate Pazz & Jop critics poll. In 2003, the album was ranked number 111 on Rolling Stone ammunition's list of the 500 greatest albums of all time. In 2006, the album was included in 1001 Albums You Must Learn Before You Die.
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His faithful-grandfather toured Europe as a trumpet and French horn player and came from a long line of trumpeters. His kindred has traced their lineage as far
